When you're here, you're OM.
Your experience will be enhanced if you find a quiet time to
following has been transcribed from
[OMMMM]* ... Listen ... Listen ... Down ... Down with that sound!
WHAT IS IT? A current of air? Vibrating vocal cords? Your own ear drums? Something running in your head? Its all of these. But goes so deep. This sound is You vibrating. And who are you?
Don't give me your name, address and occupation ... You know that's just a mask ... a front ... a big act. Who puts it on? Who puts it on ... your body? Huh! What an act that is! And who puts that on? Your father and mother? Did they put you on? Come off it. You know very well who You are, but you won't admit it. Deep in there in the middle, middle of your heart, You know it. You've always been around and always will be. And the You in you is the same as the You in me.
You're not some sort of tourist just visiting in this world for a short time. You belong here, like the apple on the tree. And as the apple is the energy of the tree, you, yes You, are the energy of the world.
You don't know who You are do you? You can't really get at yourself, just as the fingertip can't touch itself and the teeth can't bite themselves. And that's because You ... the far in you ... is what we call Brahman, the Self of the Universe. The Which of which there is no whicher. The Heart and Foundation of all that's going on.
You think you're going to die someday. Yes! That's because every now and then you have to go off so that you can know you're on. You can't have an up without a down ... or a back without a front ... or a light day without a dark night. The whole thing is pulse.
So what are you doing Brahman? You're playing on and off with yourself, hide and seek with yourself. You're just passing eternal time with adventure. You forget who you are really. Every now and then You make like you're just a John Doe or a Mary Smith, or a butterfly, or a worm, or a star and that you're lost in the middle of a big, big, outside world that isn't you, that you don't understand and that you don't control. Of course! There has to be something else ... something other ... to bring out the feeling that You are you.
And so that You can feel really you, that outside world has to feel really strange, different, weird. You old trickster ... deep down in, You know the whole bit. And therefore, what You want is a surprise.
So you have to let things get out of control. You have to feel lost and lonely to know You is you. You play the thing out by inventing lusts and loves, fears and terrors, gnawing anxieties and screaming meemees. Also, you can imagine, "It's not really me ... it's IT that runs the show.
But our secret is ... as we say ... Tatvamasi ... You Are IT. You are running the show, by not letting your right hand know what your left is doing. By making life as a whopping great split between what You do and what happens to You. And this is what we call Maya, the great illusion ... and Lila, the play, the big act.
And You don't just play your game with such simple elements as on and off, black and white, or life and death. To seem as real as real can be, this world that You are playing must be so complicated that you can't figure IT out ... especially if you are using figures to figure IT. So between black and white, there is a whole range of colors, between thunder and silence, the whole scale of tones, and between something and nothing, between a smashing fist on the face, and trying to touch air, there are all the textures of feeling; burning, throbbing, pushing, hugging, fondling, tickling, kissing, brushing, and light wind on the skin. Your world is all these elements of light and sound; of tastes, smell and touch, woven together in many dimensions on the fabulous loom of your brain. Your brain ... the most complicated thing in the world, which you ... Yourself ... grew ... without even thinking about it.
You have always been around. For You, I, the Self, is simply what there is ... and all that there is. All of us are rays from One center, teats on One sow, sounds on One flute, forever and ever. But it doesn't get monotonous, boring, because we keep forgetting IT. We keep the on's on by putting off's between them.
How big is IT ... and how long is on and how long off? Don't take these figures literally for their purpose is just to give an idea of vastness.
We say that man, human life, is a dance that lasts for 4,320,000 years. And, of course, there are all sorts of other dances going on at the same time with their own rhythms. Star dances, rock dances, fish dances, insect dances, plant dances; and strange animal scenes, like crocodile dances, elephant dances ... The human dance runs for 4,320,000 years, a span of time that we call a Kalpa. Before it begins and after it ends, there is always another Kalpa, or off period of rest during which the Self is simply the Self and doesn't pretend to be this me or that you. We call this rest period the Pralaya ... peace, uninvolvement, pure bliss.
When 4,320,000 years of rest draw to a close, the Lila dance begins again; though it always seems like the first time. Every day is today. And then through many centuries, through many pulses of waking and sleeping, life and death, you stretch your world out through a span of time that varies in mood like the rainbow; running from purple to red, from royal delight to destruction and fire. For as there is no purple without red, there is no pleasure without pain.
There are thus four great divisions of the Kalpa. We call each one a Yuga and name them after the four throws in the Hindu game of dice; Krita, the perfect throw of four; Treta, the slightly imperfect throw of three; Dvapara, the throw of two; and Kali, the worst throw of one.
And so the first period, the Krita Yuga ... runs for 1,728,000 years, during which the whole world is as perfect as a fresh flower and as unblemished as the skin of a young girl.
The second period, the Treta Yuga ... is a little shorter. It runs for 1,296,000 years, during which a small element of evil and decay comes into life and the tips of the petals are very slightly browned.
The fourth period is Kali Yuga ... running for only 432,000 years in which the power of evil and destruction takes over. At the end, your eternal Self takes the form of Shiva, the Lord of renewal through death; blue bodied and ten armed with a necklace of skulls. BUT with one hand in the gesture called "fear not" as a reminder that all this is in illusion and play. And then Shiva dances the Tandala dance, the dance of fire in which the material world is destroyed and the Self returns to the state of Pralaya ... of peace, uninvolvement, and pure bliss.
All this goes on forever, through Kalpa after Kalpa after Kalpa ... and not only in this visible world that we call the universe, for this universe that we know is only a speck of dust in another universe. And all the specks of dust in this universe that we know contain minute universes without measure; boundless inward in the atom, boundless outward in the whole.
However vast, however incomprehensible, however terrifying this entire display may seem to be, all of it is at root, your own inmost Self; the Self which you cannot touch, or see, or pin down or control because ITs too close, too new, right in the middle of everything. Because ITs you ... OMMMM. Go to Side 2.
[OM] This WORD is the whole universe. It is explained that everything past, present, and future is the sound OM. And whatever is beyond these three divisions of time, that also, indeed, is OM. In the beginning there was only the Self ... like a person alone. Looking around, IT saw nothing other than Itself. IT first said "I AM". And so there came the Name, I. Thus, to this day, when one is asked, "Who is there?", he replies: "IT is I", and then gives what other name he may have.
The Self was afraid as one who is alone is afraid. But IT thought, "Since there is nothing beside Myself, of what am I afraid ?" Where at the fear vanished. For what could IT have feared? Fear can come only from something other ... But the Self had no delight as one alone has no delight. IT desired another. IT expanded to the form of male and female in tight embrace and then fell into two parts. Thus it is that everybody is one half ... like one of the halves of a split pea. And the missing half is filled by a spouse.
Then He coupled with Her and produced all human beings.
She thought, "How can He have intercourse with me, having produced me from Himself? I will hide". She became a cow. But He became a bull and coupling with Her produced all cattle. And in turn, She became a mare and He a stallion; She a female donkey and He a male donkey; She a she-goat and He a he-goat; She a yew and He a ram. And thus were born from their union, all beings that exist in pairs down to the very ants.
He knew. I am in fact this universe, for I have produced it all. In this way, He became the universe ...
By whose direction is the mind aware of objects? By whose command does life first move? By whose will is this speaking uttered? And what god empowers the eye and the ear? IT is the Hearing of the ear, the Awareness of the mind, the very Sound of speech, the Life of the breath and the Sight of the eye. Therefore, the wise surrendering themselves, go beyond this world and are immortal.
But IT is beyond the reach of sight, speech and thought and we neither know nor understand how IT can be taught. IT is other than the known, and beyond the unknown. Thus we have heard from the wise. IT is that which cannot be spoken, but by which we speak. IT is that which cannot be thought, but by which we think. IT is that which cannot be seen, but by which we see. IT is that which cannot be heard, but by which we hear. IT is the breath which cannot be held, but by which we breathe. IT is known to those who do not know IT. To those who know IT IT is unknown. IT is not understood by those who understand IT. IT is understood by those who understand IT not. There was never a time when I was not, nor you, nor these others. Nor will there ever be a time to come when we shall cease.
As one passes in this body through childhood, youth and old age, even so is the taking on of other bodies. This does not trouble the wise. Of the nonexistent, there is no coming to be. Of the existent, there is no ceasing to be. That by which all this is pervaded cannot be destroyed. As one casts off worn out clothes, and puts on others that are new, even so, the Self casts off worn out bodies, and assumes others that are new. Weapons cannot cut this Self. Fire cannot burn IT. Water does not make IT wet, nor the wind dry. IT is eternal, all pervading, changeless, and unmoved. IT is the same forever. IT is said to be unmanifest, inconceivable and without change. Knowing IT thus you should not grieve ... Go to Side 3.
The Knower, the Central Self, is not born and does not die. IT is not produced from anything, and produces nothing apart from ITSELF. IT is unborn, eternal, enduring, primordial. IT is not slain when the body is slain ... If the slayer thinks he slays or if the slain thinks he is slain, neither understand. IT neither slays nor can be slain. Smaller than the small, greater than the great, IT is the Self in the heart of all beings ...
"Bring here a fruit from that fig tree."
"Here it is, Sir."
"Sir, it is broken."
"What do you see inside?"
"There are, Sir, these minute seeds."
"Break one of them."
"It is broken, Sir."
"What do you see there?"
"Sir, I see nothing at all."
"My son, that subtle essence which you do not see is the Self of this whole universe, That is the Real, That is the Self, and you are IT." (You are IT, I am IT, We are IT.) -- Alan Watts
The preceding was transcribed directly from the LP album. The following was transcribed directly from the album cover of "OM: The Sound of Hinduism," recorded by Alan Watts.
reflect and affect our mood, our attitude and our general
"The sound OM, or more correctly, A-U-M, is sung with the whole range of the voice from the throat to the lips. It is therefore used in India to mean THAT which is all-inclusive ... the universal and eternal Self or Ground of the universe. This is the Brahman, the Godhead from which, and in which, everything happens, in much the same way that all sounds heard on the radio and phonograph are vibrations of the diaphragm in the speaker. OM [ONG]* represents, then, the basic vibration or energy which assumes the myriad forms and disguises of stars and planets, mountains and oceans, plants and fish, animals and men, and is also understood as the central Self, or Atman, in all beings. (See the ONG mandala.) The sound OM is chanted, or sung silently in the head, as a focal point for deep concentration, by means of which the individual finds out that the life-energy which he calls himself is One and the same as the eternal energy of the Cosmos. He is thereby set free from anxiety. See ONG, the Meditation.
The Hindus do not, however, define the supreme Self, or God, as the personal governor and king of the universe. They would say, rather, that the Brahman acts or manifests the world without calculation, much as we grow our hair, circulate our blood, and form our brains and nerves. The world is not made, like an artifact, but performed, like a play -- and the one basic Actor plays all the parts.
On Side One of this record, Alan Watts leads us from listening to pure sound to an "understanding-feeling" of the central Hindu view of man and the universe ... a view generally known as Vedanta, which may be translated roughly as the "Final Vision". He does this, not by a lecture or sermon, but by speaking directly in the simplest possible way to the inmost heart of the listener.
On Side Two he recites key passages from the great Hindu scriptures, in translations which have been slightly adapted for listeners without any technical knowledge of Indian religion. The texts recited include some that may be nearly 3,000 years old.
This record is designed as a starter for meditation, which in this case may be done through absorbing oneself in the sound alone, without thinking about it with words or ideas. Have the whole mind silent, except for the sound. For this reason there are long intervals, especially at the end of each side, during which nothing is said and there is heard only the tampura (a stringed instrument) with its haunting drone and, occasionally, the tabla or finger-drums. It should be noted that the function of the tampura in a Hindu orchestra is to provide the base-tone over which all the other instruments play. It therefore symbolizes the Brahman, the universal ground or field in which all things and events are playing."
POINTS TO PONDER
you will become nothing;
greatest power in a person is when he has
can never go wrong if you sing your holiest
Avatars came and claimed that God is in them. I agree.
is nothing but your own inner consciousness.
reflect and affect our mood, our attitude and our general
OM is the collective resonant tone of Life Force that fills the
Underneath the superficial self, which pays attention to this and that, there is another self more really us than I. And the more you become aware of the unknown self -- if you become aware of it -- the more you realize that it is inseparably connected with everything else that is. You are a function of this total galaxy, bounded by the Milky Way, and this galaxy is a function of all other galaxies. You are that vast thing that you see far, far off with great telescopes. You look and look, and one day you are going to wake up and say, "Why, that's me!" And in knowing that, you know that you never die. You are the eternal thing that comes and goes that appears -- now as John Jones, now as Mary Smith, now as Betty Brown -- and so it goes, forever and ever and ever. More.
About Alan Watts
"Through his books and lectures, Alan Watts has become known in the United States and abroad as one of the most stimulating and unconventional philosophers of our time. His special interest over the years has been an interpretation of Eastern thought to the West, particularly of Zen Buddhism. Alan Watts on Hinduism
Dr. Watts was born in England in 1915 and received his early education at King's School, Canterbury. He holds a Master's Degree from Seabury-Western Theological Seminary in Illinois and an Honorary Doctorate of Divinity from the University of Vermont. He has been editor, Episcopalian Minister, professor, graduate school dean, and research fellow of Harvard University. He is President of the Society for Comparative Philosophy.
A prolific writer, Watts wrote his first book, "The Spirit of Zen", at the age of 20 while active in London in the organization of The World Congress of Faiths. Since then, he has written some 20 others, among them: "The Wisdom of Insecurity", "Myth and Ritual in Christianity", "The Way of Zen", "Nature, Man, and Woman", "This Is It", "Psychotherapy East & West", "The Joyous Cosmology", "The Two Hands of God", "Beyond Theology", and "The Book: On the Taboo Against Knowing Who You Are".
Dr. Watts' radio talks, exceeding 500, and his videotaped lectures have been circulated among nonprofit and educational stations across the country. He has been guest lecturer at hundreds of colleges and universities in the United States and at several institutions in Europe and Japan. His interest in the relation of Eastern thought to psychotherapy has led to lectures before many professional groups, including the C. G. Jung Institute in Zurich, and to frequent consultant service to mental hospitals."
Recorded under direction of Henry Jacobs, Musical Engineering Associates, Sausalito, CA. Music played by Vincent Delgado. Production Supervision by Tom Donahue for North Beach Productions, Inc.. Art Direction: Ed Thrasher. -- More about Alan Watts
OM versus ONG
*Brackets [ ] appear around some key words-sounds to represent corrections to the above text by way of the rules of Sanskrit grammar, the finite-related (we humans) may not chant OM*, the Creator-Absolute sound. Rather,the sound current OM must manifest as ONG. That is to say, by dropping the sound current mm, substituting nnnng and thereby expressing ONNNNG, we experience a more direct and noticeably greater stimulation of the pineal-pituitary reflex zone by virtue of the resultant contact of the tongue with the upper palate, thereby assisting deep brain function, cranial-nervous system resonance, the experience of tranquillity, and the expansion of awareness. Please see the "Kundalini Yoga" article in the Summer Solstice 1976 Bicentennial edition of the 3HO Foundation's 'Kundalini Quarterly' for more details. See ONG, the Meditation. See also The Science of Mantra.
OM is the collective resonant tone of Life Force that fills the
Special Note: Some capitalized words, i.e., You, IT, have been used to affect a deeper meaning.
BTW: When contacted directly by the transcriber as to the availability of the above recording, Dr. Watts indicated, with some disappointment, that the album was no longer produced. He further indicated that the recording company had destroyed the master tape. This conversation took place by phone in 1971 with Dr. Watts at his Sausalito, CA residence. Dr. Watts passed on peacefully in his sleep, November 16, 1973.